Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms muscular beneath a plain white T-shirt. During performances, ballet dancers can seem like powerful gods, yet frequently offstage they are small. This is not true for Ball, whose height is one reason for his demand for princely roles and pas de deux work. Possessing delicate traits and intense eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he faced minimal ridicule for his early interest in ballet. Joining the Royal Ballet School at 11, he graduated directly into the company and was advanced each year, attaining the top rank of principal in 2018. He has loved taking on meaty characters, particularly the emotional angst found in a famed choreographer's works.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His upcoming starring appearance is in a talk, in an "In Conversation" event designed to offer intimate insights into a dancer's art. He will guide the crowd through a part, showing his mental workflow while execution. Even in lighter ballets, the challenge is significant. "Don Quixote is one of the toughest technically," he states.
The Mental Struggle and Post-Performance Emotions
What about after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel self-conscious later. Following an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I'm quite active usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Early Drivers and Creative Influences
Ball's tenacity originated in early setbacks. Not doing well in competitions at school made him "vengeful!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
An upcoming challenge is making his own choreography. For Ball, "there's nothing wrong with." "Breaking the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from literature, compositions, and art.
Intimate Dance and Private Partnership
He also favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has made pieces with his partner, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t typically matched on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite cheerleader."
On Social Media and Physical Perception
On social media, followers can see clips from his dance films and photos that showcase a sculpted physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—an object that can be interpreted on various levels.
Ball describes his early self as "eager for success." Has it met his expectations? "I feel very aware of how reality is a different thing to the dreams you had as a child," he muses. He probably has another decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."